twelfth night 09

4 January, 2009 – 8:44pm

Matt and I went to the South Bank today for the Twelfth Night celebrations put on by The Lions Part. It was much colder than last year so we wore lots of layers. Matt had also brewed some wassail – hot London Pride with sugar, baked apples and spices – which kept us warm as we beheld the arrival of the Green Man on his little boat and toasted in the new year with hearty wassails to the people, the Thames and the Globe Theatre!

We finished up in the George Inn, the amazing galleried coaching tavern on Borough High Street, as is traditional. It’s such an amazing venue, a slice of old Shakespearian London. I only found out today it’s actually owned by the National Trust, which carried out the restoration to its current old world glory. We had our first pint outside, then moved indoors for our second, watching a bear from the Lions Part playing the fiddle. If you squinted you could pretend it wasn’t a person in a bear outfit and revel in the improbability of a bear playing old English jigs.

earth stood hard as iron

31 December, 2008 – 1:08pm

All New Year’s Day has been covered with frost and mist down here in Devon! Minus three degrees, an outrageous temperature in the south of England!

Frosty Alpacas

somerset explorations

30 December, 2008 – 10:16pm

Leonardo and Francisco are staying in our flat and feeding Mouse over the holidays. We got them out to Devon for the last couple of days, and Matt drove us on a little sightseeing tour of Somerset.

We went to see the amazing little ruined fourteenth century castle at Nunney, on the eastern fringe of the Mendips. It is quite tiny, more like a house in the form of a castle, though with massive towers on each of its four corners and a cute perfectly maintained rectangular moat. It’s bitterly cold down here at the moment, so the moat was beginning to freeze.

Then to Wells to see the famous cathedral, with its compact arches and detailed statues. Wells Cathedral really exemplifies Somerset architecture, in which grand buildings are rendered on a very compact scale. I remember the hamstone cottages that look like miniature stately homes in the villages near Montacute House. If the inspiration for the hobbit shires resides anywhere in England it is surely here. How different Wells Cathedral feels from the massive lofty Norman cathedrals of northern England.

We drove up and down Cheddar Gorge and marvelled at its really rather impressive sheer limestone cliffs. It’s as if you have suddenly been transported from gentle England to the foothills of the Alps, before being deposited back in the Mendips as quickly as you left. The entrance into the gorge on the south side is massively crowded by lots of tacky tourist tat – hostels, restaurants, shops – it feels a bit like one of those Alpine villages that feed on the motorists on their way in and out of Switzerland. We went into a shop and Leonardo and Francisco loaded up on shortbread and cheddar cheese for presents.

We ventured into the wild expanses of Exmoor and stopped at the Tarr Steps, the lovely old solid stone foot bridge across the River Barle. It’s thought to be medieval, though some think it may date back to prehistoric times. Mind you, the ancient bridge was washed away in the freak storm of 1952 apparently so it had to be rebuilt. I was wondering if they reused the stones, or if they had to get new ones. Otherwise, is it really the same bridge? There would still be the platonic ideal of the same bridge in there somewhere I suppose.

We went right up to the Bristol Channel coast to Lynton, perched up on the cliffs, to have a very indulgent Devonshire cream tea, then wended our way along the coastal road to Porlock, where the road is the steepest in England and descends so fast down from the moor that your ears pop by the time the car reaches the bottom.

exodus

23 December, 2008 – 10:36pm

Matt and I have fled from London tonight in our hired car for the Christmas holidays. It would be nice to stay in London, I love it when it gets really quiet around Christmas, but it’s great too to be out and about with the relatives.

duck divinorum

13 December, 2008 – 5:06pm

Last night I went to spend the evening with Michal and Ema down by the Thames in the south west. We drank cava and laughed through rapid fire anecdotes and conversation, and they cooked me some amazing food, the kind that only the Poles could serve.

A whole duck, jointed and cooked in an oven dish with garlic and marjoram, allowing the fat to fill up the bowl so the pieces of meat are dripping with it! We had the meat with some lovely salad, though this hardly detracted from the sheer fatty indulgence of the duck meat and the lovely bowl of hot tasty fat which we could dip meat and bread back into when we wanted another fix. Mmmmmmmm!

Then we retired to the carpet, moved the table and candles away, and got down to introducing Michal and Ema to salvia divinorum. The first time round Michal and I smoked it, but Ema was unable to inhale any at all. She coughed it straight back out. It was interesting as she often smokes things, she said afterwards that she had never had that before, it was as if the white smoke expelled itself from her, refusing to enter.

Everything always seems pregnant with meaning when you do salvia, so perhaps the Lady in her benevolence had decided that one of us needed to be sober for the first hit. It was handy that she was, as Michal took a lot and we needed an alert sitter to make sure he didn’t hurt himself or knock things over. Michal and I both lay down on the carpet facing each other. I had a fairly mild dose, I still knew I was on salvia and was feeling glad that Ema hadn’t taken any because I could see that blank look on Michal’s face, almost like a frightened animal, as he lost awareness of who he was or what was happening. As my sensations intensified, I saw Michal’s face turn green and elven, with energy flowing out of it in every direction like roots from a tree. Meanwhile, Michal was in another world in which his side of the room represented the world of life, while the side that I was on was stretching away from him into the past and death. During the experience he made a choice not to die yet, within the experience that death was just the return to a state before birth.

After some discussion, we all took it again. This time, I took a dose as big as my first dose from Kayla, enough so I completely lost all sense of who or where I was. From a kneeling position I slowly sank forwards into the carpet, between the two chairs Michal and Ema were sitting in.

It was terrifying in the way that my first high dose was terrifying, a sudden all consuming timeless terror. Reality, which was one and the same as the terror, floated upwards around me in rods or lines, and floated through me like burning pins and needles. I thought I might be better prepared for it, but it is difficult to take any lessons with you. You are just suddenly there again, caught in the terror. Yet there was a difference this time, because although I didn’t know who or what I was I did remember this sensation and terror. I was there on the carpet, and I was on my bed again, experiencing that first high dose dose of salvia I had with Kayla. It wasn’t even that I remembered it, it was actually the case that I was experiencing both together. Both experiences were the same moment: one timeless moment that I had returned to. And I knew that this place, this sensation, this terror, is what exists outside time.

I slowly returned and talked to Michal and Ema about their experiences, after we’d shared a massive bout of good hysterical laughter together. Their experiences were much more concrete and visual in many ways, but shared my trip’s preoccupation with time. We had been talking earlier in the evening about the past, both our shared past living in London, and stories of Poland and recent Polish history. Perhaps this shaped the direction of our experiences. Ema went back in time, to a very specific time, 1984 or 1985. Michal went back to his birth, his grandfather and father were sitting by his side, and he remembered into the future the whole of his life from the perspective of his unborn self.

When I write about the “terror” of the full salvia experience I don’t mean that it was a bad trip. Words like “good” and “bad” don’t really apply. It’s just very powerful and very frightening, but also wondrous to experience and to reflect on afterwards.

It’s hard to keep in mind as you seem to transcend your body that the experiences of salvia must reflect the physical situation of how you’re feeling and where you are. I wonder whether taking it on a green hill on a warm twilight evening would create a less terrifying and more benign experience. Or I wonder if terror is just my default state when stripped of any knowledge of who or what I am.

A few lines from a poem about salvia divinorum I read on the Erowid website keep coming back to me.

I had not expected fear, but terror came with her
and tho I sought a dying moment, she showed me a dying eternity
and tho I sought to bring wisdom into the real, she tore the real from me
and I was no more, and in unbeing, I lost my fear

bunning divinorum

12 December, 2008 – 4:45pm

Went round to see Jim and Kal last night for an hour or two of salvia divinorum journeying. I took quite mild amounts all evening, which was nice, just allowing the sensations of reality twisting around and rising up through me to swell, but not overcome me.

Jim and Kal both had quite heavy doses: Kal had a particularly powerful one. Suddenly his real world dropped away and he was in another reality with no memory that he had taken a drug. It is peculiar to salvia that there is almost no transition or warning, when you’ve taken a big dose, suddenly everything drops away, the veil of reality is gone and you are floundering in some huge inscrutable narrative that feels like an eternity but actually only lasts a few minutes. From the outside, Kal’s face went completely blank, he just didn’t seem to be there, as if he had switched from human to animal. He moved forwards from the sofa and his legs gave way, tumbling against the table.

I was mildly tripping but thought it would be a good idea to pull the table away from him, and move some boxes and stuff out of his way. In Kal’s slowed down world, me pulling the table and boxes and away was contributing to the narrative he was experiencing, in which reality was being sucked away from him into my side of the room into a crushing fold in space and time. He was struggling away from this vortex, which somehow also represented his family and past, to try and reach the other side of the room and the window, which represented the real world.

We discussed afterwards how different from other hallucinogens and how specific the sensations of salvia are. Everything rotates around you, and reality twists around, almost as if you’ve almost turned your head to glance into another dimension. There’s a feeling that you are being squeezed along a membrane, the way reality breaks up into vertical stripes or rods and you can only focus on one of them at a time, the slowing down or pausing of time. There’s that feeling too of being in a place before birth and after death. Kal said afterwards that he kept thinking of Buffy being dragged back to the world in series six.

Most of all, salvia feels like you are engaging with a sentient intelligence. It’s as if Lady Salvia is investigating you as you are investigating her. This alien sentience briefly occupies your head and makes you see reality as it sees it: timeless and terrible, spilling out into infinity. If acid gently unlocks parts of your brain and allows you to see things like a god, then salvia is a god, powerful and inscrutable, coming into your head to make you see the world through its eyes.

This morning reality was definitely back in place, but there’s an afterglow, a pregnancy of possibility in the air. Jim wrote a nice email earlier about leaving the house to go to work:

Two squirrels appeared from nowhere to run along the fence on either side of me. Now, I’m not saying I believed they were trying to communicate with me, or that they signified some vast gloriousness but I certainly wouldn’t have bet against it. I like to think me and the squirrels had a whole mutual respect thing going on, whereby I wasn’t going to mess with their nuts and in return they wouldn’t cause my entire ‘reality’ to fold in on itself…

alternative christmas tidings

11 December, 2008 – 1:43pm

Have just been listening to Danny Chivers, a rather marvellous ranting performance poet from Oxford. Check out his Don’t Buy It christmas messages. It’s quite similar to the Stop Shopping gospel of Reverend Billy, but more like a green anti-poverty anti-capitalist Roald Dahl. Well worth a listen, it makes quite dry campaigning stuff fun!

All those Kinder Eggs you buy,
Will drain Botswana’s soils dry!
We need new rules on tax and trade,
To stop this crap from being made!

salvia et jim

7 December, 2008 – 12:03pm

Popped round to see Jim on the way to Geli’s birthday party. We smoked some salvia together. It was a moderate hit, not as powerful as the one that took me out when Kayla was round but powerful nonetheless. I sank back into the sofa, my consciousness fragmenting out until all that was in my head was a single phrase repeating over and over again.

I thought afterwards that the phrase might have been “what is it? what is it? what is it? what is it?” and now I wonder if it was more like “what did you do? what did you do? what did you do? what did you do?”

The phrase was accompanied by an overwhelming sensation that reality and time were breaking apart and as I seemed to be the consciousness of reality I felt that perhaps I had broken something, or gone too far. What did you do? What did you do?

Then I returned to myself again and rolled around a bit on the carpet. The afterglow of the intense scary bit is always really nice. Very peaceful and meditative.

foxes divinorum

23 November, 2008 – 11:27pm

Foxes! came to stay last night after their London gig, including Alan and Dymphna, who drove them around. Kayla had some salvia divinorum with her. I was really interested in trying it so we smoked some. I had tried to take it before, to no effect, so this time I inhaled lots and kept it in, and got hit quite hard by the psychedelic experience!

I suddenly felt I was flying backwards through the room and my vision became fuzzy, and then everything started breaking up into floating rods of reality. I just about held it together to stagger from the room, though it felt more like I had become the room and I was ejecting this piece of consciousness out of it.

What was left of me fell on to the bed and at this moment I felt I was in several places at once. I was the bed, I was floating in little rods through the air above the bed, and some of me was within this human body too. Most of all I felt like I was the bed and I remember thinking: what will those others say when they come in here and find that I, the bed, have become conscious? I won’t be able to walk or talk for one thing. I knew it wasn’t a good thing.

Then Kayla popped her head round the door and I returned to my human self. It had all lasted just a few minutes. I staggered back into the living room. They had taken some in my absence. Matt felt like he was rotating inside a giant pine cone, made of up spikes from the rapid drums of the Nina Simone version of I Did It My Way that was playing at that moment. He had to put out his legs and hold one finger up in the air to rotate with the pine cone. Kayla pressed her face to the floor and had to shift objects through some sort of carpet house that she found herself in.

Kayla and I took a second milder dose and this time it was more of a mushrooms experience, lots of giggling and amplified cartoon reality.

It’s a really interesting drug. The effect is so intense, but then it’s over so quickly, and the high is quite different from anything else I’ve taken. The sensation of fragmenting your consciousness and actually becoming objects around you is quite an extraordinary feeling.

22 November, 2008 – 3:53pm

Matt and I visited Firsts 2008 at the Linbury Studio at the Royal Opera House last night to see the Modified Toy Orchestra, who are part of this cool circuit bending movement, taking children’s toys and wiring them up to amps and playing weird catchy calculator doll bleep music. They were very good and great fun to watch, deploying their little plastic toys in dramatic deadpan guitar feedback poses, with funny kawaii visuals projected up behind them.

I love this kind of thing. For me it’s all about the startling creativity that can be induced by strict parameters and limitations. What kind of music can you create with a load of plastic kid’s toys? These guys will show you! It’s like Braben and Bell’s Elite, but for music instead of cool space exploration computer games!

I saw this interview somewhere else with Brian Duffy, the humorous lead man in the orchestra:

“It’s much harder to perform live than anything I’ve ever done before,” Duffy says. “When it comes to playing tiny plastic mushrooms, you’ve got to be ­incredibly ­accurate – it takes months to get it right. I’ll be teaching a new member a part, and ­saying, ‘No! It’s ­fencepost, fencepost, mushroom, mushroom, daisy, sunflower – you’re playing it all wrong!’”

We also saw in support a pair of very fit hip hop dancers from The Impact Dance Company, and then an intriguing dancer called Claire Cunningham who danced with her crutches while narrating her life growing up with legs that don’t work normally. Her piece of physical theatre was called Evolution and it seems to be partly about describing how dance has come to be a form of physical therapy for her, increasing her bone density and height as she says at one point, this is perhaps part of the evolution for which she has named the performance. “I don’t know who I am anymore,” she says near the end, and you have this sense of her being a growing changing amalgamation of crutches and person. “But I like it.” She finished with this amazing dance to Singing In The Rain which echoed the dance in the film really pleasingly, including sweeping the crutches around like the umbrella swinging around over the puddles.